AVAILABLE JELLY




"Just when you make up your mind it's an ethno-centric acid-polka
orchestra blowing jazz with a demented dixieland mariachi band in the
Bulgarian beergarden, they'll break into a James Browne tune".
(A review
from 1985)
Expect the unexpected. That's the most sensible comment to be made about
any Available Jelly concert. Over the years the group's line-up and
repertory have gone in so many directions that even its members have no
clue beforehand what will happen during a performance.
Available Jelly's musical interests and preferences are manifold and
varied. They range from bedrock of Jazz in New Orleans to the exploits of
Ornette Coleman and beyond. From ethnic musics of as faraway places as the
Balkan and Madagascar. From popular music by Cole Porter and Irving Berlin
to rock music by the Beach Boys. This may sound like your average `we can't
make a choice' eclectic postmodern hotchpotch, but it isn't. The Available
Jelly people like a good melody, wherever it may come from. The original
compositions by band members Michael Moore and Eric Boeren are in very true
evidence of this.
The group never belies its theatrical roots, either. After all, they once
came to Europe with the Great Salt Lake Mime Troupe. And even though those
days are long gone, Available Jelly's music is always dramatic and never
without a streak of absurdists humour. And whoever may think that fun and
beauty are mutuallly exclusive, should only listen to there latest CD,
Monuments. When the jocular Michael Moore piece Wigwam is followed by the
hauntingly beautiful Remy Hira (a folk song from Madagascar), it doesn't
seem out of place at all. It's like a circus, where the tears may come from
laughing over the clowns or crying over the poor Pierrot. And excitement
may come from fear for the ferocious lions or amazement and the agile
acrobats.
All this has made Available Jelly one of the most exciting bands on the
Amsterdam improvised music scene. Its members ar eamong the most in demand
instrumentalists in the Netherlands. Top ensembles like the Instant
Composers Pool Orchestra, the Clusone trio, the Maarten Altena Ensemble,
Franky Douglas' Sunchild and the Guus Janssen Septet couldn't do without
their services.
Since 1993 the band has been exploiting it roots & branches in a series of
yearly festivals in Amsterdam.
Info: Bert Bal, Blasiusstraat 74R, 1091 CW Amsterdam, The Netherlands.
Tel/fax: +31-(0)20-6653393
The CD Monuments (Ramboy, 1994) is distributed by BV Haast